I have very little experience, but maybe some insight directly related to this question. Of course this just purely from a practical perspective - I do understand the allure of a nice 1911/2011 having shot an Infinity for most of my time in SS, but I don't think I would've performed any differently if I had shot a tuned Shadow 2 in production instead Particularly for 2011s where magazines are still not as sorted out as 9mm 1911 magazines, in addition to being very expensive.Ĭombined with the fact that LO is still just a provisional division that in theory is still up for change (what happens if they add major PF later on for example), I think it's more prudent to buy a top CO platform like a CZ S2 OR, Tanfo S2 OR, P320, Canik that are competitive in both. From someone who shot single stack as a primary division for 2.5yrs until moving to CO 6 months ago, there's just a lot of extra things that can and sometimes go wrong with the platform. As platforms I do believe that CZs and the top striker guns (P320, Canik) are appreciably more reliable than 2011s and 1911s. A Shadow 2 that's been mildly worked over will have a single action that's close enough to most production level 2011s like a Staccato or Springfield Prodigy (and you can just run it in condition 1 using the safety)Īnother underappreciated consideration is reliability. Umphrey's McGee Announces Initial Summer Dates for.I think that unless you're willing to venture into the high dollar custom 2011 territory, you're not really getting much of a performance advantage over the top existing CO platforms.Never Say Die Black Label Tour Cervantes Masterp.Roni Size The Black Box in Denver, Colorado (3/1.To close his set it sounded like SKisM had all four of the CDJs spinning with a massive quad-drop, it was beautiful. He loves to switch out the drop at the last second for a harder one, and he does it so well.

If you ever feel lost just watch him and he will guide you to where the changes are coming next. It's overwhelming how many drops were packed into his hour on stage! SKisM is a great conductor for the crowd too, he always knows exactly how to bop around and dance to every song he is blending into the set.

You rarely see him with his headphones off for longer than ten seconds, because he is always working to perfect his live mix. Not only that he will create triple and quadruple drops live. He never slips up and always has something you haven't heard yet. If you don't realize it, you should, SKisM is always the best DJ at the show. It was incredible to see the energy of the room amplify so quickly. He came out with a track that said the word 'mosh' and immediately half of the room turned into a mosh pit. The boss man SKisM took the middle of the rotation, and as always he was essentially flawless. Absolutely epic laser show indeed, and you know I love me some lasers. From above on the balcony so many beams were glowing that you could barely see the hundreds of people dancing underneath.

It was a literal river of light flowing in the air just above the people on the main floor. There were nine lasers all together, two coming from the back of the room to the front, and seven on stage zapping over the crowd. This was the most extensive stage production I have ever seen before at Cervantes Masterpiece Ballroom. The place was hot and sticky for such an intense display of dubstep, it was almost to much to handle. Along with Denver's own !Tyro and contest winner Bloodhound. The line-up featured the heavy hitters from Never Say Die Black Label: SKisM, Trampa, TrollPhace, and Ponicz. Together Reload Productions and Rebudz formed like Voltron to bring the people a massive show. Saturday was a highly anticipated night for the rowdy riddim heads of Denver.

Flawless laser ogden